By Ronald Wright
Every time background repeats itself, the associated fee is going up. the 20 th century—a time of unheard of progress—has produced a huge pressure at the very parts that include lifestyles itself: This increases the main query of the twenty-first century: How for much longer can this pass on? With wit and erudition, Ronald Wright lays out a-convincing case that historical past has regularly supplied a solution, even if we care to note or now not. From Neanderthal guy to the Sumerians to the Roman Empire, a quick background of growth dissects the cyclical nature of humanity's improvement and death, the 10,000-year outdated scan that we've unleashed yet have not begun to manage. it truly is Wright's competition that simply by means of knowing and finally breaking from the styles of growth and catastrophe that humanity has repeated all over the world because the Stone Age do we steer clear of the onset of a brand new darkish Age. Wright illustrates how quite a few cultures all through background have actually synthetic their very own finish by means of generating an overabundance of innovation and stripping naked the very components that allowed them to firstly increase. Wright's e-book is excellent; a desirable rumination at the hubris on the center of human improvement and the pitfalls we nonetheless could have time to prevent.
Read or Download A Short History of Progress PDF
Similar culture books
Stephen Greenblatt argued in those celebrated essays that the artwork of the Renaissance could purely be understood within the context of the society from which it sprang. His strategy - 'New Historicism' - drew from heritage, anthropology, Marxist thought, post-structuralism, and psychoanalysis and within the approach, blew aside the tutorial obstacles insulating literature from the area round it.
Learning to Curse charts the evolution of that method and offers a brilliant and compelling exploration of a fancy and contradictory epoch.
The United States is in disarray and our economic system is failing us. now we have been during the greatest monetary drawback because the nice melancholy, unemployment continues to be stubbornly excessive, and speak of a double-dip recession persists. american citizens will not be pulling the realm financial system out of its gradual nation -- if something we're seeking to Asia to force a restoration.
- Société et culture de la France contemporaine: Contemporary French culture and society
- Napoleon and British Song, 1797–1822 (War, Culture and Society, 1750–1850)
- Cytogenetics of cells in culture
- Cell Culture Engineering IV: Improvements of Human Health
Extra resources for A Short History of Progress
Homosexuality as a psychic structure could appear and disappear in a single individual, and entire plots could centre around working out gender/sexuality confusions without these being construed as depicting homosexuality (Russo 1981; Dyer 1982). In the post-Second World War years a range of ‘message’ films sympathetic to their ‘gay’ characters stabilized these fleeting representations of desire into fully fledged stereotypes. These films made humanistic appeals to the ‘straight’ world by showing homosexuals either as the victim of negative social attitudes (Sunday, Bloody Sunday, 1971 and The Killing of Sister George, 1969) or by demonstrating the psychological pain of coping with homosexual desires (Tea and Sympathy, 1956, and Rachel, Rachel, 1968).
She can be taken, but not from ‘behind’. Even in this most intimate signification of masculine violation, the bullet lodges nowhere, passes through, leaves only an aporia as its trace. Her difference, and the film’s final distance from buddy erotics, are reinforced while Garcia waits anxiously at the hospital in the now obligatory, if sadomasochistic scene of buddy domesticity. The doctor informs Garcia that whether she lives will depend on whether she is a ‘fighter’. Traditionally, the erotically charged, verge-of-death scene serves to fuse the male buddies, diminishing their individual differences by producing a Immortal, invisible 12 narcissistic relation in which the men’s belief in and love of each other flows in a circuit of will and desire.
Karen Silkwood’s girlfriend (Cher) is a working-class butch, still ‘feminine’ in comparison to the men of labouring class and because all the working women in Silkwood are more ‘butch’ than their middle-class counterparts. Although she is slightly more butch than her cosmetician girlfriend and than Meryl Streep, Cher evades the butch/femme stereotype because she and her clearly femme girlfriend apply makeup together and because Streep has already ‘butched up’ her heterosexuality through her political activism.